 20)
"Broken
Payphone" |
I live in a
medium-sized city in southern Ontario Canada. I've noticed this payphone
before as its almost next door to my favorite camera store, but this week is
the first time I've photographed it. Its in a part of town popular with the
university kids and has clearly suffered from their beer-induced abuse.
Mike Kovacs |

1936 Contax
II
Postwar
Carl Zeiss Sonnar 50/1.5
Ilford HP5+
@400
HC110 Dil.
D
|
 21)"Life
Guard and Wedding Party" |
It's very common to see Japanese tourist having
their wedding photos taken at Ala Moana beach park Hawaii.
They
now have a "Life Guard"
David Richert |

Zeiss Box Tengor 56/2 1948-56 Chrome
trim. Lever shutter release on lower right side Frontar f/9 lens internal
sync 6x9 on 120 film. HP5 iso 400 taken with a orange filter taped to camera
shoot at f/16 pictures over exposed. Hand printed to 6"x9" scanned.
Zeiss 56/2 |

22) " The WOOD" |
Leaning
over the local lake just up the road is this small wood. The evening light
was rich and the walk was wonderful.
Andrea
Ingram
|

Gevabox II. 1955.
Film; Fuji NPH 400 commercially developed. Scanned from Neg.
|

23) " North Carolina" |
I took
this image while playing at a driving range.I liked the connection between
NC and Golf. Pablo Coronel
|

Super
Ricohflex
Film: AGFA
APX100, developed in Rodinal 1+50, Paper: Ilford MG-IV RC, developed in
Ethol LPD
|

24) " Waiting for Spring" |
After cleaning
this camera, I just walked around the NCSU campus, and found this tree,
almost ready for spring! Pablo Coronel |

Spartaflex
Film: KODAK
Tri-X, developed in Ilfoted DD-X 1+4, Paper: Ilford MG-IV RC developed in
Ethol LPD |

25) "
Saturday morning
at home with Margaret" |
My favorite
subject, and my best old camera. We have been in our little adobe in the
desert north of Las Cruces, NM for ten years. The house has a simple
passive solar
design which lets us heat it in the winter with a couple cords of pecan from
the local orchards. We met the people who built the house and first lived
in it about thirty years ago. They dug the dirt for the adobe bricks right
on the property, and they peeled the logs for the ceiling vigas themselves.
We've added an enclosed patio to keep out the rattlers.
Mike Connealy
|

Zeiss Ikon
Ikonta 520. Compur-Rapid shutter, T,B,1-500. Carl Zeiss Jenna Tessar
1:3.5, f=7cm.Tmax 400 in Tmax developer. Exposure f/5.6 at 1/50 sec. The
camera is no bigger than my 35mm folders, but it shoots 6x4.5 cm frames, 16
on a roll of 120. The Tessar is stunningly sharp, even opened up. The
integrity of the camera's design and construction is superb.
|

26) "
Highway 185, Mile
Marker 22" |
This used
to be the main highway to Albuquerque, still a two-lane and not much
traffic. Not much water in the Rio Grande this time of year either. The
rail line goes along the base of the Selden Hills on the other side of the
river, turns right just past Tonuco Mountain in the distance, and then heads
north again toward Santa Fe through the Jornada del Muerto. My driveway
follows the treeline in the center to the house, about a third of a mile to
the west.
Mike Connealy
|

Voigtlander
Vito II, 35mm. Color-Skopar 1:3.5/50.
Kodak
Elitechrome 200. About 1/300 sec. at f/16. A great little pocket camera.
|

27) " Waikiki Beach" |
While waiting for the sun to clear the mountains to shine on Waikiki
Beach. After two hours the sun was to far north to light the front of the
hotels and beach and this is my shoot of the day with the Zeiss Volta.
David Richert |
_small.jpg)
Zeiss Volta 146/3 c1927-31 Folding plate camera single extension, radial arm
focusing 6.5x9cm. Carl Zeiss Jena Tessar 1:4.5 f=10.5cm. Zeiss Ikon KLIO shutter. With wire frame
finder, waist level viewer along with leather viewer on ground glass. I used a
Suydam roll film adapter but had the wrong mask in and pictures were 6x7.
Yellow filter and lens hood 120mm film.
HP5 Development
printed 6x7 on Ilford Gloss and scanned. 146/3 |

28) " Waikiki Beach Reflection" |
My wife got tired waiting for me to get the above shoot so I lent her
one of my extra Vintage Cameras this is her shoot. Joy Richert |

Ansco Viking 6.3, c1953 Agfa Agnar f/6.3 105mm VARIO shutter.
The top was corroded so "Dave" buffed it down to the
brass.
HP5 Development
printed 6x9 on Ilford Gloss and scanned. |

29) " Big Tonka! " |
London Ontario
I live in a
new suburb of the city and there is a large project underway to reclaim more
land. There are several of these large trucks and other heavy equipment
working when the weather is cooperating. I won't miss all the mess I have to
drive through every day going home!
Mike Kovacs
|

1938 Ikonta
521/16 Carl Zeiss Jena Tessar 75/3.5
Ilford HP5+
@400 HC110 Dil. The Ikonta 521/16 is reported incorrectly as a postwar model
in many sources. Camera, lens and shutter serial numbers are consistent
with1938 production for this camera, as is the uncoated Tessar lens from Jena. |

30) " Relaxing in February" |
The point over looking Hickam AFB beach, Hawaii. I went out there for
the evening sunset and noticed the hammock and thought " It's
February and I'm relaxing" David Richert |

Super Ikonta BX 533/16 (later model)
1952-1957 Uncoupled exposure meter in chrome and lower profile than the
1937-52 type. "Super Ikonta 533/16" on the back Synchro Compur MX shutter to
1/500. Coated Opton Tessar lens.
HP5 Development
printed 6x6 on Ilford Gloss and scanned. 533/16 |

31) "
Twin Bridges Beach" |
This is a shot of
an area most folks around here call Twin Bridges Beach. It's really a sand
bar on one of the main rivers "where I live". Water is a main feature here,
for power generation, fish runs, and recreation. It's a mountainous region,
with high snow passes providing water via hundreds of tributaries. Many
people would associate a river like this one with my home area.
Dean Williams
|

Agfa Ansco Viking
Meter used:
Weston Master II Exposure: 1/100 @ f22 Film: JandC Pro 100 Developer:
PC-TEA, 8 1/2 minutes Printed on Agfa MC RC, Agfa Neutol developer Enlarger:
Dejur Versitile II |

32) "Tree Hole Barn "
Honorable Mention Winner |

"I thought this
fit the contest title well, in a kind of an artsy schmartsy way. I'm not an
artist, though. This is just my crack at it; The lumber in this old barn
was milled at least 50 years ago. I'm sure of that. I know the family that
built it. Looking through the window is a reminder of my area's greatest
renewable source of product, clean air, and outright beauty. Millions of
acres of new and old growth forest. When the lumber for this old barn was
built into this structure the tree seen in the window did not exist. Who
knew this would become a window to the future. The trees used to make this
barn have now been replaced by new trees, which will have grown to a size
some 50% larger than the former sapling in the window."
Dean Williams |

Yashicamat EM
circa 1965
Meter used:
Sekonic Twinmate
Exposure: 1/60 @
f22
Film: Agfa APX
400 rated @ 250
Developer: PC-TEA
8 1/2 min.
Printed on Agfa MC
RC in Agfa Neutol
Enlarger: Omega
B66 |

33) "River " |
"Rivers and
forests are the big thing here, where I live. This river originates about
55 miles from my home town, and the location of this photo is about 10 miles
from my house. Way up stream it is nothing more than a creek (pronounced "krik"
hereabouts) fed by the drainage from the mountain range that borders the
region. Later in the spring, the river will take on a light brown color as
the snow melts in earnest, filling it with a silt laden torrent. The forest
is huge, and getting lost is a possibility that many have explored in the
past. Just follow a creek, and you'll end up in a river. Maybe not this
one, there are others...."
Dean Williams |

Kodak Retinette
IIB
Lens: Schneider-Krueznach
in Compur Rapid shutter.
Light meter used:
On board. Exposure: 1/125 @ f11 Film: Cheapo Fuji. Four rolls for 5 bucks
at Wally World. Processing: One hour photo place. Neg scanned on HP S20-no
goofing. |

34) "Birch Sky "
First Place Winner |

Mihai Costea
|

Pentax Spotmatic,
serial #2370056, approx 1964
Lens: Super-Multi-Coated
Takumar1:3.5/ 28
Filter: Tiffen deep Yellow15
Film:
Agfa APX 100
Developer: Rodinal 1:50 for 16 min
Film
scanned with Epson 4180 flatbed
Location:
reservation area 1 mile from my house
Newmarket, On. |

35) "Skid Marks " |
Something
heavy hit the road here, almost in front of my house.
Donald Qualls
|

Voigtlander Inos
I, Skopar 10.5 cm f/4.5, dial-set Compur T, B, 1-250. Simple
lever operated unit focusing by scale, push-pull lens extension and
stowage. Red window advance, of course. Takes 8 6x9 exposures on 120 film
(with a longer frame than most 6x9, actually about 56x86 mm). This exposure
on J&C Pro 100, f/11 @ 1/100, hand held. |
 36) "Pedevallei " |
"I was
fascinated by the diagonal lines of the roof of this old house, the
telephone cables, the old style street pole and the white trace of a passing
airliner in the cold blue sky. The square format is a joy to compose with
and very refreshing. It helps to see things in a new light. The Rolleiflex
was not cheap but certainly a good investment because it makes we want to
shot more film again."
Benny Stevens, Belgium
|

Rolleiflex 3.5F with Planar lens.
Film was Tri-X Prof. (320ISO) developed in Microphen.
Originally scanned at 1200dpi on Epson Perfection 1240U flatbed scanner and
downsized in PS Elements2 to requested size.
|
 37) "Orleans " |
One
of the resident barn cats (Orleans) sitting in a horse saddle to keep warm.
Took two rolls of various places around the farm, and this, I think, is the
best of them.
Jon MacMillian
|

My Grandfather's Minolta
SRT-101, circa 1968. He used it for years and years, and I inherited it a
few years ago. The advance mechanism is starting to show its age, and you
must be careful to work the lever all the way forward, or it will start
overlapping images. Other than that, it works 100%.Lens is a Hoya 70-150
f3.8 zoom. I purchased it new, but I can't remember exactly when. It's
probably pushing the '1970' date a little...but only by a few years. The
design is certainly pre-1970, and its a strongly-built tank of a lens that
goes well with the SRT. |
 38) "Frankfurt " |
This a view of
Frankfurt, Germany, the city where I live. The picture was taken on a cold
and windy afternoon February, 20th, while out shooting a roll for this
contest. It shows some of the bank skyscrapers of Frankfurt's skyline seen
from a bridge across the river Main.
Leisha J.E.G. |

Balda Mess-Baldix
(aka Rangefinder Baldix) with an Enna Ennagon 7.5cm f/3.5 lens on Kodak
Tri-X 400. Aperture was between 5.6 and 8, shutter speed was 1/50th second,
and the camera was hand-held. I used an old Ceneiplan green-yellow filter on
the lens. Focus was at infinity. The film was developed in a local S/W pro
lab, so I can't give you any details on film developing. The Mess-Baldix is
a fine 6x6 folder camera with an uncoupled rangefinder, double exposure
prevention and film counter. It was only manufactured in 1954 by the Balda
Werke in Bünde. A trimmed-down, rebranded version was sold as Hapo 66-E by
the retailer Photo-Porst from 1955 on. The Ennagon by the Enna Werk München
is a three-element lens that is capable of very sharp photos even when not
stopped down to aperture 11 or 16. All in all a very nice classic camera my
friend bought for only 26 Euro. |
 39) "Wabasha
Bridge " |
Wabasha
Bridge
(from
below)
St. Paul,
MN
Feb. 12,
2005
Bell Delehanty
|

Olympus Pen EE-2, (1968). Auto Exp. on Ilford HP-5+ rated @
200 & dev. in D-76 1:1 |
 40) "Como
Conservatory " |
Como
Conservatory, St. Paul, MN.
February
18, 2005
Bell Delehanty
|

Olympus Trip 35
Auto Exp.
on Kodak B&W 400.
|
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